The Divan of Shams reflects the raging ocean and constantly changing personality of Molana, a valuable source which shows the inner layer of his conscience from psychoanalytic point of view. The rising and rhythmic Meters of his poems are indicative of profound and amazing revolution within him and of a new birth. Having passed the Stays of change and attaining the stay of fixity and returning the stay of sobriety, he achieves peace and rest, artistically reflecting the beautiful image of his profound serenity in the Mathnavi. This article deals with the relation between and psychology, as well as poetry, and the preponderance of unconsciousness over Molavi and its consequences.
Anzabi nejad, R., & Hejazi, B. A. (2005). Conscious Unconsciousness of Molavi in the Divan of Shams. Journal of Kavoshnameh in Persian Language and Literature, 6(10), 9-39. doi: 10.29252/kavosh.2005.2307
MLA
Reza Anzabi nejad; Behjat al-Saddat Hejazi. "Conscious Unconsciousness of Molavi in the Divan of Shams". Journal of Kavoshnameh in Persian Language and Literature, 6, 10, 2005, 9-39. doi: 10.29252/kavosh.2005.2307
HARVARD
Anzabi nejad, R., Hejazi, B. A. (2005). 'Conscious Unconsciousness of Molavi in the Divan of Shams', Journal of Kavoshnameh in Persian Language and Literature, 6(10), pp. 9-39. doi: 10.29252/kavosh.2005.2307
VANCOUVER
Anzabi nejad, R., Hejazi, B. A. Conscious Unconsciousness of Molavi in the Divan of Shams. Journal of Kavoshnameh in Persian Language and Literature, 2005; 6(10): 9-39. doi: 10.29252/kavosh.2005.2307
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