The Discourse of the Idealist love with the Realistic Love in Amir Arsalan’s Romance

Document Type : Research Paper

Authors

1 PhD candidate of Persian language and literature, University of Hormozgan

2 Associate professor of Persian language and literature, University of Hormozgan

3 Associate professors of Persian language and literature, University of Hormozgan

4 Graduate of Persian Language and Literature, Yazd University

10.29252/kavosh.2021.15655.2974

Abstract

The most important base of the common romance is the love united with the war. Characters become meaningful in relationship with this term with regards to their role in the romance; either an oppressor or an oppress seeker. In the conflict between the romantic loves, the function of the story structures are considered particularly important. In this paper, it is attempted to study the signs of the romance and love discourse in the story united with the community and mentality of both the creators of the work and the readers after giving definitions for both idealist and real loves in the Persian common romances as well as the roles and positions of the characters. The results of the study show that the story’s target readers’ contexture variation into particular readers like Nasser-aldin Shah and his daughter Fakhrodoleh along with the social evolutions in Qajars’ era and moving from a socialistic view to an individualistic mentality has made the story bilateral. Thus, the characters’ roles and the love-related signs are moving through an idealist-realistic discourse. In this kind of discourse, the relationship between the lovers and their beloved ones, whatever, is a conflict between the mythological characters and lived ones as well as the ideal and reality encounter. The symbols possess dual images in combination with the love discourse and a transition between the fundamental and modern samples.

Keywords


  • A: Books

    • Plato (2006), Banquet or the discourse of love, translated by Mohammad Ali Foroughi, 2nd Edition, Tehran, Jaami publication.
    • Iliadeh, Mirchaw (2015), symbolization, the holy and art issues, translated by Mohammad Kazem Mohajeri, Tehran, Parseh book publication.
    • Balaei, Christoph (1998), the Genesis of the Persian novel, translated by Mahvash Ghayoomi, Nasrin Khatat, Terhran, Moein publications.
    • Ja’afari, Masoud (2008), the romanticism process in Europe, Tehran, Markaz publication.
    • Hejazi, Banafsheh (2015), the History of Ladies (studying the Iranian women’s position in Qajar era), 3rd Edition, Tehran, Ghasidehsara.
    • Delrish, Boshra (1996), women in Qajar era, Tehran, Hoze-ye-Honari.
    • Dehghani, Mohammad (2011), love temptation, the study of the love concept evolution in the Iranian culture and literatures, 2nd edition, Tehran, Javane-ye-roshd.
    • Sattari, Jalal (2016), the myth of love and being in love in some Persian love letters, 2nd edition, Tehran, Mitra.
    • Sattari, Jala (2018), the Sophy-like love, 9th edition, Tehran, Markaz Publication.
    • Serloo, Juan Eduardo (2010), the dictionary of symbols, Tehran, Dastaan.
    • The knight / Cavalier, John and Alan Gorbran (1998), the dictionary of symbols, translated by Soodabeh Fazaeli, Tehran, Jihoon.
    • The knight / Cavalier, John and Alan Gorbran (2006), Tehran, Jihoon.
    • Tahmasebi, Farhad (2015), Persian sonnet sociology, Tehran, Scientific and Cultural publications Inc.
    • Abbasi, Sekineh (2015), Persian Folklore long stories (common romance), Tehran, Roozegar.
    • Moayer-ol-Mamalek, Doost Ali (1972), Notes from Nasser-al- din Shah’s private life, Tehran, Elmi.
    • Naraghi, Arash (2017), About Love, 8th edition, Tehran, Sokhan.
    • Naghi-ol-Mamalek, Mohammad Ali (1977), Amir Arsalan, Correction and introduction by Mohammad Ja’afar Mahjoob, 2nd edition, Tehran, Pocket Books Inc.
    • Yavari, Hadi (2011), from the story to the novel, Tehran, Sokhan.
    • Young, Carl Gustav (1989), the four example faces (mother, re-birth, soul, cunning face), translated by Parvin Faramarzi, Mashad, Razavi Ghods Threshold, Cultural Vice presidential office.

    B : Papers and Studies:

    • Farzi, Hamidreza and Hajieh Behzadi (2017), ((The ancient-pattern analysis of Amir Arsalan Story based on Teferd Young’s theory)), Culture and Folklore Literatures Storytelling special issue, year 5, No. 12, pages 65-84.  

    C : Latin resources

    1- Marzolph, Ulrich.(2001). Persion Popular Literature in the Qajar period. Asian Folklore Studies. pp: 215- 236.