نوع مقاله : مقاله پژوهشی
نویسندگان
دانشگاه یزد، یزد، ایران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Abstract
Intertextuality, encompassing both influences received and influences exerted, is an undeniable characteristic of human social life throughout history, and the realm of literature and poetry is no exception to this fundamental principle. Poets in every era are inherently required to study the works of their predecessors, inevitably absorbing their influence while simultaneously shaping the works of those who follow. This dynamic of influence and reception is clearly evident in the poetic landscape of Yazd between the years 1320 and 1360 SH (approximately 1941–1981 CE).
The poets of this period can be broadly categorized into two groups: traditionalists adhering to the established canon (Sant-sata) and modernists breaking from the tradition (Sant-setayan-e Now-gara). Both groups drew inspiration from the formidable classical poets and their contemporary figures. This influence manifests in various literary devices, including esteghbal (intertextual response), eqtetah (allusion), tazmin (incorporation), and talmih (implicit reference), which are discernible in the linguistic texture of their poetry.
An examination of the poetry from this era reveals that Yazdi poets exhibited a stronger inclination towards the works of renowned classical figures. However, a smaller, yet significant, number of poets were also influenced by their contemporary literary peers. This study aims to analyze the specific forms and frequency of these intertextual engagements, offering insight into the evolution of Yazd’s poetic identity during a transformative social and literary period.
کلیدواژهها [English]
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